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2006-12-12 - 11:54 p.m. Nya said the poem I wrote for her birthday last year was kind of a half-assed effort, with its lame AAAA rhyme scheme. She challenged me to use a far more difficult form this year: the sestina. I didn’t know anything about sestinas and I gamely agreed. Ouch. It turns out the sestina is probably the hardest type of poem to write. It involves using a set of six words at the end of lines (not necessarily the end of thoughts) in a different order in each of six stanzas and a closing three-line verse. Often, the meter is iambic pentameter and I’ve used that here. It was really hard. I certainly didn’t bring any message or underlying theme across. It’s such a constrained form; I really felt like I was just fulfilling a grammar exercise, straining to fit words together to make it to the next mandatory end-word. If you can transcend these boundaries and get a sentiment across, you are a better poet than I (actually, you’re probably a better poet than I anyway). I’m told that a sign of a good sestina is that when it’s read aloud, listeners don’t notice that the same six words are repeated over and over. I think, in my case, I’d be lucky if listeners don’t mind that it’s tortured word salad. Anyway, here it is: If you had known us years ago you’d laugh with her around; her humor and her fun or poor or worse in your behavior. Fair It thrills that her encouragement inspires to do this always. She’s so fucking smart when we were kids. Never do we look back Now let me go back home, where she inspires I see now that I used “fair” for “fare” in the third stanza. Would that that were the only problem… © 2006 Geoff Gladstone
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